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Sidney Myer Performing Arts Awards

The Awards were created to commemorate Sidney Myer’s life and his love for the arts. The annual awards recognise outstanding achievements in dance, drama, comedy, music, opera, circus and puppetry.

The Sidney Myer Performing Arts Awards were created in 1984 by the Trustees of the Sidney Myer Fund to mark the 50th anniversary of the death of Sidney Myer.

There are two Awards and one Prize distributed each year.

• The Individual Award ($60,000)
• The Group Award ($90,000)
• The Facilitator’s Prize ($25,000)

The Sidney Myer Performing Arts Awards are announced and presented early each year for the preceding year. The Awards are decided on a national basis and each nomination is considered by a Judging Committee. While past achievement is recognised, consideration is also given to the potential of an individual or group to continue their contribution to Australian society through the performing arts into the future. Nominations for the Awards are generally open in September and October each year.

For the purpose of the Awards, the performing arts include all aspects of creation and performance across all forms of drama, comedy, dance, music, opera, circus and puppetry. They do not include visual arts, crafts, film, electronic media or literature.

A full list of past award winners can be found on the Sidney Myer Performing Arts Awards Wikipedia page while the gallery below contains some images from the 2018 Award Ceremony held as part of the Australian Performing Arts Market. (all images below by RDW Photography).

The winners for the 2017 Sidney Myer Performing Arts Awards are:

Kate Mulvaney: Individual Award, $60,000

Dancenorth: Group Award, $90,000, and

Nicole Beyer: Facilitator’s Prize, $25,000

Nominations for the 2018 Sidney Myer Performing Arts Awards opened on 17 September and closed at midnight (end of the day) on Sunday 21 October 2018 (AEST). The winners will be publicly announced at a ceremony held on Monday 4 March 2018 in conjunction with the Adelaide Festival.

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